The pale lights inside the airport
Look dull indeed.
Sleepy green, sombre -
Like the cover of a kalbaisakhi storm,
Or winter’s smog,
Keeping out the sun;
Like the silence of the city
On another state-wide strike
Come on Kolkata, I wonder,
Where is that intellectual push?
Why can’t you put up
A more glamorous show?
Like the razzmatazz of Bombay
Or the corridor of mudras in Delhi;
Something more –
Something that will make the world notice
The escalator descends down
While I notice the ceiling up -
Giant calligraphic letters -
Bangla scribbles on the entire roof;
It takes me some time to recognise
And then, I smile -
Who else but Kobiguru
What else but Geetanjali
Of course, as always
You don’t say a lot,
Yet so many thoughts layer
In your richest colours,
Appear grey and green
For those who do not know you -
For those who do,
Tagore blesses from above
Showering poems and songs
One petalled letter at a time;
A fresco of a manuscript
Bedecks the roof above
Below, the palimpsest of a city
Awaits in dull, green lights
The loudspeaker crackles,
‘Welcome to Netaji Subhas International Airport…’
17th July 2026
The ceiling of the
departure concourse at Kolkata's airport is one of its most distinctive
architectural features. Rather than using conventional decorative panels, the
designers transformed the vast ceiling into a giant artwork inspired by
Rabindranath Tagore's handwritten manuscript of Gitanjali. Flowing Bengali
calligraphy stretches across the roof in sweeping black strokes against a light
background, resembling pages of an illuminated manuscript unfurled overhead.
From a distance, the script appears almost abstract—like birds in flight, river
currents, or decorative patterns—but as one looks closer, individual Bengali
letters begin to emerge, revealing verses from Tagore's Nobel Prize-winning
work. The effect is both monumental and intimate: travellers walk beneath a
canopy of poetry, often without immediately realising that they are passing
under one of Bengal's greatest literary treasures.
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